An Introduction to George Orwell’s 1984

Revisiting an introduction to George Orwell’s 1984. It has been less than a year since Donald Trump took office. Now it is becoming clear that his actions are leading to the subversion of American institutions. All of the government agencies seem to exist for the sole purpose of restructuring themselves. DOJ is far from embracing the notion of justice for all. Supreme Court is in the process of defending the federal government instead of the people. The progress of the Civil Rights Movement has been set back and all minority rights are being trampled upon! So has Orwell’s 1984 being update for our generations?

The Trump campaign, his subsequent election, and his follow through, has many people re-reading this science fiction novel. It is my belief that this has much to do with his flipping the purpose of American institutions, such as the EPA and the Department of Justice. The Department of Justice is now under a person that fought against the Civil Rights movement. And the Environmental Protection Agency plans to deregulate most controls on the protection of the environment. So looking at an introduction to 1984 might be useful in evaluating the present situation.

Ricardo Montoya Ochoa

Introduction

George Orwell‘s 1984, like many works of literature, unmistakably carries with it literary traditions reaching back to the earliest of storytellers. Among the literary traditions that Orwell uses is the concept of utopia, which he distorts effectively for his own purposes. Utopia, or Nowhere Land, is an ideal place or society in which human beings realize a perfect existence, a place without suffering or human malady. Orwell did not originate this genre. In fact, the word utopia is taken from Sir Thomas More’s Utopia, written in 1516. The word is now used to describe any place considered to be perfect.

In 1984, Orwell creates a technologically advanced world in which fear is used as a tool for manipulating and controlling individuals who do not conform to the prevailing political orthodoxy. In his attempt to educate the reader about the consequences of certain political philosophies and the defects of human nature, Orwell manipulates and usurps the utopian tradition and creates a dystopia, a fictional setting in which life is extremely bad from deprivation, oppression, or terror. Orwell’s dystopia is a place where humans have no control over their own lives, where nearly every positive feeling is squelched, and where people live in misery, fear, and repression.

The dystopian tradition in literature is a relatively modern one and is usually a criticism of the time in which the author lives. These novels are often political statements, as was Orwell’s other dystopian novel, Animal Farm, published in 1945. By using a dystopian setting for 1984, Orwell suggests the possibility of a utopia, and then makes very clear, with each horror that takes place, the price humankind pays for “perfect” societies.

Historical Background

Orwell wrote 1984 just after World War II ended, wanting it to serve as a warning to his readers. He wanted to be certain that the kind of future presented in the novel should never come to pass, even though the practices that contribute to the development of such a state were abundantly present in Orwell’s time.

Orwell lived during a time in which tyranny was a reality in Spain, Germany, the Soviet Union, and other countries, where government kept an iron fist (or curtain) around its citizens, where there was little, if any freedom, and where hunger, forced labor, and mass execution were common.

Orwell espoused democratic socialism. In his essay, “Why I Write,” published in 1947, two years before the publication of 1984, Orwell stated that he writes, among other reasons, from the “[d]esire to push the world in a certain direction, to alter other peoples’ idea of the kind of society that they should strive after.” Orwell used his writing to express his powerful political feelings, and that fact is readily apparent in the society he creates in 1984.

The society in 1984, although fictional, mirrors the political weather of the societies that existed all around him. Orwell’s Oceania is a terrifying society reminiscent of Hitler’s Germany and Stalin’s Soviet Union — complete repression of the human spirit, absolute governmental control of daily life, constant hunger, and the systematic “vaporization” of individuals who do not, or will not, comply with the government’s values.

Orwell despised the politics of the leaders he saw rise to power in the countries around him, and he despised what the politicians did to the people of those countries. Big Brother is certainly a fusing of both Stalin and Hitler, both real and terrifying leaders, though both on opposite sides of the philosophical spectrum. By combining traits from both the Soviet Union’s and Germany’s totalitarian states, Orwell makes clear that he is staunchly against any form of governmental totalitarianism, either from the left or the right of the political spectrum.

By making Big Brother so easily recognizable (he is physically similar to both Hitler and Stalin, all three having heavy black mustaches and charismatic speaking styles), Orwell makes sure that the reader of 1984 does not mistake his intention — to show clearly how totalitarianism negatively affects the human spirit and how it is impossible to remain freethinking under such circumstances.

The Role of the Media

Orwell spent time in Spain during the time of Franco’s Fascist military rebellion. Although he was initially pleased with what he considered to be the realization of socialism in Barcelona, he quickly saw that dream change; such a political climate could not maintain that kind of “ideal” political life. The group with which Orwell was associated was accused of being a pro-Fascist organization, a falsehood that was readily believed by many, including the left-wing press in England. As a reflection on this experience, in 1984, Orwell creates a media service that is nothing more than a propaganda machine, mirroring what Orwell, as a writer, experienced during his time in Spain.

Orwell worked with the BBC during World War II when certain kinds of restrictions limiting what news could be disseminated were common, and he became disturbed by what he perceived to be the falseness of his work. It is noteworthy that Winston Smith, the main character in 1984, works in the media and is responsible for creating what is, essentially, deceptive propaganda. In fact, it is Winston’s position in the media that gives the reader the most insight into the duplicity of the society in which he lives and therefore, the society that Orwell most condemns.

The Setting

The setting of 1984 is Oceania, a giant country comprised of the Americas; the Atlantic Islands, including the British Isles; Australia; and the southern portion of Africa. Oceania’s mainland is called Air Strip One, formerly England. The story itself takes place in London in the year 1984, a terrifying place and time where the human spirit and freedom are all but crushed. In the novel, war is constant. The main character, Winston Smith, born before the World War II, grew up knowing only hunger and political instability, and many of the things that he experiences are hyperboles of real activities in wartime Germany and the Soviet Union.

It is important to remember that Orwell based 1984 on the facts as he knew them; hunger, shortages, and repression actually happened as a result of the extreme governmental policies of these countries. The war hysteria, the destruction of the family unit, the persecution of “free thinkers” or those who were “different” or not easily assimilated into the party doctrine, the changing of history to suit the party’s agenda, were all too real. Orwell’s speculation of the future is actually a creative extension of how the masses were treated under Franco, Hitler, and Stalin.

By setting 1984 in London, Orwell is able to invoke the atmosphere of a real war-torn community, where people live in “wooden dwellings like chicken houses” in bombed-out clearings. His intent clearly was to capitalize on a memory that every reader, especially a British reader, was likely to have. London in 1984, then, becomes not just a make-believe place where bad things happen to unknown people, but a very real geographical spot that still holds some connection for the modern reader.

In 1984, the world is sliced into three political realms — the super states of Oceania, Eastasia, and Eurasia. Orwell drew these lines fairly consistent with the political distribution of the Cold War era beginning after World War II. Each of these three states is run by a totalitarian government that is constantly warring on multiple fronts. By creating an entire world at war, Orwell not only creates a terrifying place, but he also eliminates the possibility of escape for Winston, who is forced to live within his present circumstances, horrible and unremitting as they are.

Oceania’s political structure is divided into three segments: the Inner Party, the ultimate ruling class, consisting of less than 2 percent of the population; the Outer Party, the educated workers, numbering around 18 to 19 percent of the population; and the Proles, or the proletariat, the working class. Although the Party (Inner and Outer) does not see these divisions as true “classes,” it is clear that Orwell wants the reader to see the class distinctions. For a socialist such as Orwell, class distinctions mean the existence of conflict and class struggle. In Hitler’s Germany and Stalin’s Soviet Union, for example, the few people who comprised the ruling class had a much higher standard of living than the masses, but in these nations, as in 1984, revolt was all but impossible.

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